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Browsing Research Articles (Music) by Subject "Bosman di Ravelli, Vere, 1882-1967"
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- ItemMaking the Dutchman proud of his language... : ’n honderd jaar van die Afrikaanse kunslied(Suid-Afrikaanse Akademie vir Wetenskap en Kuns, 2011-12) Grove, IzakDie ontwikkeling van die Afrikaanse kunslied kan herlei word na die eerste voorbeeld daarvan, ’n toonsetting deur Jan Gysbert Bosman (ook bekend as Bosman di Ravelli) in 1908 van wat beskou word as die eerste volwasse gedig in dié jong taal, d.w.s. Eugène Marais se ikoniese teks, Winternag. In ’n breër perspektief begin die geskiedenis van die Afrikaanse lied met volksmusiekagtige pogings voor die eeuwending, deur die patriotiese lied in die jare onmiddellik na die Anglo-Boereoorlog (soos dié van Stephen Eyssen), tot by populêre liedere gedurende die twintigerjare, op die patroon van die Engelse “drawingroom” ballades, deur Stephen le Roux Marais. Die koms van die digkuns van die dertigerjare het ook die verskyning van die Afrikaanse kunslied, op die patroon van Europese modelle, ingelui. Hierdie era het gekulmineer in Arnold van Wyk se siklus Van Liefde en Verlatenheid (1953). Dit is interessant dat die begin van die Afrikaanse kunslied saamval met die afname van die Europese kunslied-tradisie, wat egter steeds in stand gehou word deur ’n groep plaaslike liedkomponiste en -bewonderaars.
- ItemOrientalizing Europe, Europeanizaing Africa : the fantastical lives and tale of Jan Gysbert Hugo (The Marquis) (Louis de) (Vere) Bosman di Ravelli, also known as Gian Bonzar(Department of Musicology, Faculty of Music, University of Arts in Belgrade, 2010) Muller, StephanusBefore he was being invented by others, or started imagining himself in autobiographical texts, he was creating new names for himself. Born Jan Gysbert Hugo Bosman on 24 February 1882, the first of these names was the Italianate Vere di Ravelli, a name made up for the concert stage. Combining the name he had read in a book with a shortened form of the Spanish for "Gysbert" or "Gilvere", he was using the stage name in 1902 during his second concert tour of the cities of Berlin, Magdeburg, Paris, Strasbourg and Cologne. A letter to Johannes J. Smith of 15 November 1912,includes two Sapphic reconstructions by "Gian Bonzar" for translation into Afrikaans and possible publication. The letter, signed by Bosman with his invented stage name, "Vere di Ravelli".