dc.contributor.author	Du Toit, Catherine
dc.date.accessioned	2012-01-27T06:33:43Z
dc.date.available	2012-01-27T06:33:43Z
dc.date.issued	2011-12
dc.description	Etudes Africaines et creoles no. 3	en_ZA
dc.description.abstract	Without history there can be no political engagement. But history can only surpass its analytical, abstract and factual dimensions by the operation of memory. From his first short documentaries, such as Guernica, Les Statues meurent aussi (Statues also die) and Nuit et Brouillard (Night and Fog), the problem of the past is present in Alain Resnais’ cinema. Reconstructing the past does not only occur on the level of text and image but also through cinematographic techniques. This article examines the way in which lived memory in Alain Resnais’ politically engaged documentaries becomes conscience, participating in the imaginary of mnemonic reconstruction.	en_ZA
dc.format.extent	p. 213-227 : ill.
dc.identifier.citation	Du Toit, C. 2011. Alain Resnais et l engagement documentaire. Une affaire de morale en trois temps, Le Sentiment de la langue: évasion, exotisme et engagement, 3, 213-227	en_ZA
dc.identifier.isbn	9782867817984
dc.identifier.uri	http://hdl.handle.net/10019.1/19402
dc.language.iso	fr	en_ZA
dc.publisher	Presses Universitaires de Bordeaux	en_ZA
dc.rights.holder	Presses Universitaires de Bordeaux	en_ZA
dc.subject	Film techniques	en_ZA
dc.subject	Resnais, Alain,1922- -- Criticism and interpretation.	en_ZA
dc.subject	Engagement	en_ZA
dc.subject	Memory	en_ZA
dc.subject	History	en_ZA
dc.title	Alain Resnais et l engagement documentaire: Une affaire de morale en trois temps	en_ZA
dc.title.alternative	Le sentiment de la langue : evasion, exotisme et engagement	en_ZA
dc.type	Article	en_ZA

Alain Resnais et l engagement documentaire: Une affaire de morale en trois temps

Files

Original bundle

License bundle

Collections