Twelve notes, twelve endnotes
dc.contributor.author | Muller, Stephanus | |
dc.date.accessioned | 2014-07-17T14:24:02Z | |
dc.date.available | 2014-07-17T14:24:02Z | |
dc.date.issued | 2011 | |
dc.description | Muller, S. 2011. Twelve notes, twelve endnotes. Art South Africa, 09(04):40-44. | en_ZA |
dc.description.abstract | "Exile" is always the narrative of one person or entity, an "I" or an "us". Therefore we speak not of "exiles" (the condition, that is), but of "exile". It is not that exile cannot be other than its volatile laws of signification dictate, but it can only be other in a violently interventionist way. | en_ZA |
dc.description.version | Post-print | en_ZA |
dc.identifier.citation | Muller, S. 2011. Twelve notes, twelve endnotes. Art South Africa, 09(04):40-44. | en_ZA |
dc.identifier.issn | 1684-6133 (print) | |
dc.identifier.uri | http://hdl.handle.net/10019.1/95498 | |
dc.language.iso | en_ZA | en_ZA |
dc.publisher | Brendon Bell-Roberts | en_ZA |
dc.rights.holder | Art South Africa Magazine | en_ZA |
dc.subject | Music | en_ZA |
dc.subject | Composers | en_ZA |
dc.subject | South African music | en_ZA |
dc.title | Twelve notes, twelve endnotes | en_ZA |
dc.type | Article | en_ZA |