From Ta-Kesh to Ta-Kush : the affordances of digital, haptic visualisation for heritage accessibility
This paper describes the 3D facial depiction of a 2700-year-old mummy, Ta-Kush, stewarded by Maidstone Museum, UK, informed by new scientific and visual analysis which demanded a complete re-evaluation of her biography and presentation. The digital haptic reconstruction and visualisation workflow used to reconstruct her facial morphology is described, in the context of the multimodal and participatory approach taken by the museum in the complete redesign of the galleries in which the mummy is displayed. Informed by contemporary approaches to working with human remains in heritage spaces, we suggest that our virtual modelling methodology finds a logical conclusion in the presentation of the depiction both as a touch-object as well as a digital animation, and that this ‘digital unshelving’ enables the further rehumanization of Ta-Kush. Finally, we present and reflect upon visitor feedback, which suggests that audiences respond well to interpretive material in museums that utilizes cutting-edge, multimedia technologies.
CITATION: Smith, K. et al. 2020. From Ta-Kesh to Ta-Kush: The affordances of digital, haptic visualisation for heritage accessibility. Digital Applications in Archaeology and Cultural Heritage, 19. doi:10.1016/j.daach.2020.e00159
Egypt -- Civilization -- to 332, Mummies -- Egypt, Embalming, Paleopathology, Cultural heritage, Maidstone Museum, Ta-Kesh, Ta-Kush, Haptic technology, Image processing -- Digital techniques