Browsing by Author "Hale, Frederick"

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    Capital Punishment or Capital Forgiveness? The Enduring Message of Dead Man Walking
    (Faculty of Theology and Religion, University of the Free State, 2000) Hale, Frederick
    The best-selling book and internationally popular film Dead Man Walking address squarely the issue of capitol punishment which has been extensively debated throughout much of the world and challenged the ethical thinking of Christian and non-Christian moralists. Although this question is treated in Dead Man Walking in an explicitly Roman Catholic context in the United States of America, the ethical and spiritual dimensions of its treatment on the screen transcend geographical and denominational borders and are particularly relevant to South Africa, where escalating violence in recent years has engendered a callousness and spirit of vengefulness in many quarters and where public support for the death penalty is strong.
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    Literary challenges to the heroic myth of the Voortrekkers : H.P. Lamont's War, wine and women and Stuart Cloete's Turning wheels
    (Stellenbosch : Stellenbosch University, 2001-12) Hale, Frederick; Hees, Edwin; Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of English.
    ENGLISH ABSTRACT: This dissertation is an interdisciplinary study of various historical novels which dealt to a greater or lesser degree with the Great Trek and were written between the 1840s and the 1930s in Dutch, Afrikaans and English but with particular emphasis on H.P. Lamont's War, Wine and Women and Stuart Cloete's Turning Wheels (1937). The analysis of all these fictional reconstructions focuses on the portrayal of the Voortrekkers found in them. Much attention is also paid to the historical contexts in which the two principal works in question were written and the great controversies which they occasioned because both of their authors had had the temerity to challenge the long-established myth of the heroic Voortrekkers, one of the holiest of the iconic cows in the barns of their Afrikaner descendants. Chapter I, "Introduction", is a statement of the purpose of the study, its place in the context of analyses of the history of Afrikaner nationalism, its structure and the sources on which it is based. Chapter II, "The Unfolding of the Myth of the Heroic Voortrekkers", traces its evolution from the 1830s to the 1930s and explores how both English-speaking South Africans and Afrikaners, especially Gustav PrelIer, purposefully contributed to it. Also highlighted in this chapter is the significance of the Great Trek Centenary and the events leading up to it in the middle and late 1930s in intensifying Afrikaner nationalism. Chapter III, "The Heroic Myth in Early Dutch and Afrikaans Novels about the Great Trek", considers especially how these works were used as vehicles for placing before Afrikaners the historic virtues of their ancestors both to provide models for emulation and to stimulate their ethnic pride. Chapter IV, "Sympathetic English Reconstructions of the Great Trek", deals with two novels, Eugenie de Kalb's Far Enough and Francis Brett Young's They Seek a Country, both of which reproduced the heroic myth to some extent. Chapter V, "Rendezvous with Disaster? The South Africa in Which Lamont Wrote War, Wine and Women" establishes the context of intensifying Afrikaner nationalism which this immigrant from the United Kingdom encountered in the late 1920s when he accepted a lectureship at the University of Pretoria and why this context was hostile to a novel which was critical of Afrikanerdom. Chapter VI, "Wa1~ Wine and Women: Its General Context and Commentary on South Africa" explores how this work, conceived as a "war book" dealing with the 1914-1918 conflict in Europe, depicted both Englishmen and Afrikaners negatively. Chapter VII, "Academic Freedom vs. Afrikaner Nationalism: The Consequential Strife over War, Wine and Women" deals with the hostile reception of Lamont's pseudonymously published novel, the physical assault on him and his dismissal from his lectureship at the University of Pretoria. Chapter VIII, "The Rhetoric of Revenge in Lamont's Halcyon Days in Africa", explores how the author, after relurning lo England, used his pen as a weapon for striking back al his Afrikaans foes in South Africa. Chapter IX, "Stuart Cloete's Portrayal of the Voortrekkers in Turning U'heels", focuses on the portrayal of various ethnic types in his gallery of characters. Chapter X, "The Con troversy over Turning U'heels", handles the hostile and apparently orchestrated reaction to Cloete's book and how it was eventually banned. Chapter XI, "Conclusion: Quod Eral Demonstrandum", summarises several thematic findings which a detailed examination of the novels in their historical context yields.
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    Stuart Cloete's construction of Voortrekker religion in Turning Wheels.
    (Redaksiekantoor Universiteit van die Vrystaat, P.O. Box 339, Bloemfontein, 9300, South Africa, email: tigdt@rs.uovs.ac.za, 2001) Hale, Frederick
    Stuart Cloete’s novel of 1937, Turning Wheels, was unquestionably the most controversial of many fictional reconstructions of the Great Trek, a book which fell foul of Afrikaner nationalism and whose further importation into the Union of South Africa was long consequently banned. Religious motifs reflecting the popularised Calvinism of the Voortrekkers figure prominently in the text. Cloete depicted these migrants as people of faith whose removal to a new Canaan entailed both internal strife and repeated clashes with indigenous African tribes. Among the thematic elements are belief in divine purpose and providence, postfigurative uses of the Pentateuchal characters Moses and Abraham, the image of the clergy, the failure of religious belief to maintain ethical norms among the Voortrekkers and the contribution of an ethnocentric distortion of Christianity to disharmonious relations with black Africans.