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Alain Resnais et l engagement documentaire: Une affaire de morale en trois temps

dc.contributor.authorDu Toit, Catherine
dc.date.accessioned2012-01-27T06:33:43Z
dc.date.available2012-01-27T06:33:43Z
dc.date.issued2011-12
dc.identifier.citationDu Toit, C. 2011. Alain Resnais et l engagement documentaire. Une affaire de morale en trois temps, Le Sentiment de la langue: évasion, exotisme et engagement, 3, 213-227en_ZA
dc.identifier.isbn9782867817984
dc.identifier.urihttp://hdl.handle.net/10019.1/19402
dc.descriptionEtudes Africaines et creoles no. 3en_ZA
dc.description.abstractWithout history there can be no political engagement. But history can only surpass its analytical, abstract and factual dimensions by the operation of memory. From his first short documentaries, such as Guernica, Les Statues meurent aussi (Statues also die) and Nuit et Brouillard (Night and Fog), the problem of the past is present in Alain Resnais’ cinema. Reconstructing the past does not only occur on the level of text and image but also through cinematographic techniques. This article examines the way in which lived memory in Alain Resnais’ politically engaged documentaries becomes conscience, participating in the imaginary of mnemonic reconstruction.en_ZA
dc.format.extentp. 213-227 : ill.
dc.language.isofren_ZA
dc.publisherPresses Universitaires de Bordeauxen_ZA
dc.subjectFilm techniquesen_ZA
dc.subjectResnais, Alain,1922- -- Criticism and interpretation.en_ZA
dc.subjectEngagementen_ZA
dc.subjectMemoryen_ZA
dc.subjectHistoryen_ZA
dc.titleAlain Resnais et l engagement documentaire: Une affaire de morale en trois tempsen_ZA
dc.title.alternativeLe sentiment de la langue : evasion, exotisme et engagementen_ZA
dc.typeArticleen_ZA
dc.rights.holderPresses Universitaires de Bordeauxen_ZA


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