Cars, capital and disorder in Ivan vladislavics the exploded view and portrait with keys

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dc.contributor.authorJones M.
dc.date.accessioned2012-04-20T07:09:22Z
dc.date.available2012-04-20T07:09:22Z
dc.date.issued2011
dc.description.abstractThere is a substantial corpus of criticism on the epistemology of walking in recent writing by Ivan Vladislavic. This article expands upon the literature through a focus on the ways in which The Exploded View and Portrait with Keys engage with and pressurise the socio-spatial dominance of car driving in Johannesburg. It maintains that while car-use radically organises space and place in the city, this hegemony is tested by alternate forms of mobility. As Vladislavics work suggests, disorderly and apparently liminal urban modalities and movements disrupt orderly expressions of urban capital aligned with car-driving. © 2011 Copyright Taylor and Francis Group, LLC.
dc.identifier.citationSocial Dynamics
dc.identifier.citation37
dc.identifier.citation3
dc.identifier.citation379
dc.identifier.citation393
dc.identifier.issn2533952
dc.identifier.other10.1080/02533952.2011.657466
dc.identifier.urihttp://hdl.handle.net/10019.1/20804
dc.subjectautomobility
dc.subjectcapital
dc.subjectIvan Vladislavic
dc.subjectJohannesburg
dc.titleCars, capital and disorder in Ivan vladislavics the exploded view and portrait with keys
dc.typeArticle
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