Die vrou in T.T. Cloete se “toepassings van dante”
Date
1998-04
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
AOSIS Publishing
Abstract
In T.T. Cloete's fourth collection o f poems, Idiolek (1986), several references are
made to the poetry of Dante Alighieri. At the core of this collection are three
poems under the heading "toepasslngs van dante". The first, "Silhoeëi van
Beatrice ", is a description of the outline o f Beatrice's naked body. The second
poem, "mooi marllyn monroe foto In rooi", is based on a pin-up o f Marilyn
Monroe posing naked against a backdrop o f red velvet. Although these two women
are almost exact opposites - Beatrice possessing a divine beauty and an almost
Christ-like nature, whereas Marilyn Monroe is portrayed as a dumb blonde and
sex symbol o f the fifties - the two poems are suspiciously similar in style and
content. Both women are portrayed as being fundamentally perfect ("fundamenteel
petfek"). In symbolizing the same virtues, they lose their unique and contrasting
characteristics, and merge into a symbol o f female perfection. Although the third
poem, "columbae ", does not have the Beatrice/Marilyn Monroe-flgure as subject
matter, it can be read as dealing with the isst4e of individuality and uniqueness,
thus commenting on the previous two poems.
Description
CITATION: Ward, R. 1998. Die vrou in T.T. Cloete se “toepasslngs van dante”. Literator, 19(1): 5-18, doi: 10.4102/lit.v19i1.509.
The original publication is available at http://literator.org.za
The original publication is available at http://literator.org.za
Keywords
Cloete, T. T. (Theunis Theodorus), 1924-2015 -- Criticism and interpretation, Afrikaans poetry -- History and criticism, Cloete, T. T. (Theunis Theodorus), 1924-2015. Silhoeët van Beatrice, Cloete, T. T. (Theunis Theodorus), 1924-2015. Mooi marilyn monroe foto in rool, Cloete, T. T. (Theunis Theodorus), 1924-2015. Columbae, Other (Philosophy) in literature
Citation
Ward, R. 1998. Die vrou in T.T. Cloete se “toepasslngs van dante”. Literator, 19(1): 5-18, doi: 10.4102/lit.v19i1.509