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    Now showing items 1-17 of 17

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        After the megamusical : exploring the intimate form 

        Gerber, Andre Kruger (Stellenbosch : Stellenbosch University, 2017-03)
        ENGLISH ABSTRACT: The megamusical has become one of the most popular performance forms, with productions such as The Phantom of the Opera (1986) and The Lion King (1997) running profitably for decades. In South Africa, ...
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        Applying indigenous knowledge resources in children’s play-crafting in Southern Nigeria : practice-led research using Ibibio folk narratives 

        Inyang, Idaresit Ofonime (Stellenbosch : Stellenbosch University, 2022-03)
        ENGLISH ABSTRACT: The purpose of the study is to investigate the possibility to use play-crafting as a form of educational drama to renew the interest of Ibibio children in their Indigenous Knowledge Resources. The educational ...
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        Assessing change : investigating evaluation practices in applied theatre 

        Van Schalkwyk, Mareth (Stellenbosch : Stellenbosch University, 2019-04)
        ENGLISH ABSTRACT: This study investigates the problematic nature of assessing and evaluating change brought about by applied theatre programmes. Many applied theatre programmes, projects and practitioners lay claim to ...
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        Contact improvisation as a foundational learning tool for contemporary performers : singular complexity 

        Prigge-Pienaar, Samantha (Stellenbosch : Stellenbosch University, 2015-04)
        ENGLISH ABSTRACT: This artistic research dissertation employs the principles and practices of contact improvisation in a literary performative to describe and demonstrate this somatic form’s potential as a complex system ...
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        A critical inquiry into the evolution of socio-political performances in traditional Nigeria Yoruba Alarinjo and contemporary itinerant theatre through a review of selected works of Hubert Ogunde, Wole Soyinka, Ola Rotimi and Femi Osofisan 

        Bakare, Babatunde Allen (Stellenbosch : Stellenbosch University, 2018-12)
        ENGLISH ABSTRACT: This study examines the evolution of socio-political theatre and drama performances in Nigeria. The first part consists of the introduction, theory and historical contexts, while the second part discusses ...
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        Identifying and exploring key principles of the clown in theatre – a practice-led approach 

        Van Wyk, Klara (Stellenbosch : Stellenbosch University, 2020-03)
        ENGLISH ABSTRACT: In this study, an artistic research methodology is employed to identify principles of clowning as they are practiced in contemporary clown training workshops, to then offer applications of these within a ...
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        Indigenous performance and modernity : investigating the vitality of play and work songs of the Dagaaba community in North Western Ghana as verbal art performance 

        Ismaila, Margaret (Stellenbosch : Stellenbosch University, 2022-03)
        ENGLISH ABSTRACT: This study looks at play and work songs of the Dagaaba in north western Ghana as verbal art performance and how modernity has influenced the vitality of these indigenous performances. Performance ...
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        Investigating process drama as methodology to address sensitive curriculum content in secondary schools in Lesotho 

        Malibo, Rethabile Khantse (Stellenbosch : Stellenbosch University, 2021-03)
        ENGLISH ABSTRACT: Comprehensive sexuality education (CSE) was introduced in Lesotho in 2005 by the Lesotho government through the Ministry of Education and Training. The introduction of the subject was a response ...
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        The life and work of Yvonne Bryceland : an arts-based investigation 

        Hofer, Alison Renee (Stellenbosch : Stellenbosch University, 2017-03)
        ENGLISH ABSTRACT: This dissertation spotlights South African actress and theatre practitioner Yvonne Bryceland, who earned respect and admiration during her lifetime but has largely been marginalised in South African ...
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        'n Ondersoek na kinderteater as 'n moontlike tersiere toneelspelonderrigmeganisme 

        Van der Merwe, Schalk Willem (Stellenbosch : Stellenbosch University, 2020-12)
        ENGLISH ABSTRACT: This study investigates the current actor-training approach for students in South Africa and how this training is presented at tertiary level. The starting point for the study is the Drama Department, ...
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        Reclaiming cultural space through performance : the intercultural activities of the Ghana Dance Ensemble (1964-2013) 

        Rashida, Resario (Stellenbosch : Stellenbosch University, 2018-12)
        ENGLISH ABSTRACT: This dissertation examines the intercultural practices of the Ghana Dance Ensemble (GDE) from 1964 to 2014. Intercultural performance, often defined as an intentional artistic encounter between diverse ...
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        Representation of albinism and persons with albinism in narratives from East and Southern Africa 

        Spemba, Spemba Elias (Stellenbosch : Stellenbosch University, 2022-03)
        ENGLISH ABSTRACT: This study examines representations of albinism and characters or subjects with albinism in a selection of literary and cultural texts set in, and from, East and Southern Africa. The analysis brings ...
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        Serious play : exploring the ethical tensions of license and limits in drama, theatre and performance education 

        Prigge, Lanon Carl (Stellenbosch : Stellenbosch University, 2015-12)
        ENGLISH ABSTRACT: Broad global trends evidence the need for improving ethics in a variety of disciplines. The general education codes do not address the unique culture specific to teaching and learning drama, theatre ...
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        Symbolic interaction and intercultural theatre performance dynamics in Uganda : the case of Makerere Universitys Intercultural Theatre Collaborations 

        Kagolobya, Richard (Stellenbosch : Stellenbosch University, 2014-12)
        ENGLISH ABSTRACT: This dissertation investigates and examines the dynamics of intercultural theatre practice. Existing scholarship on interculturalism in theatre praxis regards intercultural theatre as a site for bridging ...
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        Towards an integrated theory of actor training : conjunctio oppositorum and the importance of dual consciousness 

        Swart, Rufus (Stellenbosch : Stellenbosch University, 2014-12)
        ENGLISH ABSTRACT: The proliferation of Western actor training methods in the past century had mainly been derived from the groundbreaking research undertaken by Vladimir Nemirovich-Danchenko and Constantin Stanislavski at ...
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        Within between : an investigation on intermediality in the Malawian and South African theatre context 

        Makhumula, Catherine Mayesero (Stellenbosch : Stellenbosch University, 2017-03)
        ENGLISH ABSTRACT: This study explores the state of African theatre in the age of new media and digital technology. Through the engagement with current literature, the researcher found that the concept of intermediality ...
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        Writing the border : avoiding restorative nostalgia by using social media discourses to create a Borderdrama 

        Albertyn, Maria Adriana; Albertyn, Marina (Stellenbosch : Stellenbosch University, 2019-12)
        ENGLISH ABSTRACT: A number of plays have been staged about the South African Border War. Some of these plays have been uncritical in their representation of the war and have promoted a kind of restorative nostalgia that ...

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