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    Die miskruier, hoop en die verlede? Miskruier (2005) deur Jaco Botha as kritiese distopiese roman 

    Barendse, Joan-Mari (LitNet, 2013-12)
    In hierdie artikel word daar geargumenteer dat Miskruier (2005) deur Jaco Botha hoofsaaklik as ’n kritiese distopie beskou kan word as gevolg van die wyse waarop die verlede hanteer word in die roman. Volgens Baccolini ...
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    Die "grense van menswees" en insekwording in Willem Anker se Samsa-masjien (2015) 

    Barendse, Joan-Mari (LitNet, 2016-08-23)
    In hierdie artikel ondersoek ek die rol van insekte in Willem Anker se toneelstuk Samsa-masjien (2015). Anker se stuk handel oor ’n bejaarde demensielyer, Gregor Samsa, wat saam met sy vrou Josefine by hulle dogter en ...
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    Dystopian future visions in Afrikaans novels published after 1999 : a relationship between past and future 

    Barendse, Joan-Mari (University of Pretoria, 2014)
    Viljoen identifies an engagement with history and "dystopic views" as separate trends in recent Afrikaans literature. In investigating characteristics of recent Afrikaans dystopian futurist novels it becomes apparent that ...
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    'n Kulturele entomologiese ondersoek na insekte in Willem Anker se Siegfried 

    Barendse, Joan-Mari (Academy of Science of South Africa, 2017)
    In this paper I investigate the function of the references to insects in Willem Anker's debut novel Siegfried (2007) from a cultural entomological perspective. My focus is on the character Wilhelm (Willem) Smit. Smit, a ...
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    Distopiese toekomsromans in die Afrikaanse literatuur na 1999 

    Barendse, Joan-Mari (Stellenbosch : Stellenbosch University, 2013-03)
    ENGLISH ABSTRACT: This dissertation investigates the increase in Afrikaans novels set in the future at the time of publication in the period after 1999. The following seven Afrikaans futuristic novels were published in ...
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    Oswald Pirow’s Ashambeni (1955) : a “history” of dogs, humans, werewolves 

    Barendse, Joan-Mari (Van Schaik Publishers, 2018)
    In this paper I explore the human-dog interaction in Oswald Pirow’s Ashambeni (1955). I focus on the position of the dog in Pirow’s depiction of a world where the lives of animals and humans, and the natural and supernatural ...

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    Author
    Barendse, Joan-Mari (6)
    SubjectAfrikaans literature -- History and criticism (3)Afrikaans dystopian literature (2)Anker, Willem (2)Dystopias in literature (2)Afrikaans literature -- 20th century -- History and criticism (1)Botha, Jaco, 1972- (1)Dissertations -- Afrikaans literature (1)Dogs -- Effect of human beings on (1)Dogs in literature (1)Dystopia in literature (1)... View MoreDate Issued2013 (2)2014 (1)2016 (1)2017 (1)2018 (1)Has File(s)Yes (6)
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