Department of Practical Theology and Missiology
Permanent URI for this community
Browse
Browsing Department of Practical Theology and Missiology by browse.metadata.advisor "Grab, Wilhelm"
Now showing 1 - 1 of 1
Results Per Page
Sort Options
- Item'Green spirituality' : towards an ecological ethic in theological reflection and praxis(Stellenbosch : University of Stellenbosch, 2010-12) Becker, Francine; Cilliers, Johan; Grab, Wilhelm; University of Stellenbosch. Faculty of Theology. Dept. of Practical Theology and Missiology.ENGLISH ABSTRACT: Green spirituality as found in popular media such as films can be used to develop an ecological ethic in theological reflection and praxis and serve as a platform in a multi-sectoral and multi-pronged response to the ecological crisis. By examining the films Avatar, Emerald Forest, Dances with Wolves, The Day the Earth Stood Still, and the animated films of Hayao Miyazaki, ecological and spiritual themes can be drawn from the text and applied as contemporary examples of 'green spirituality'. In the first chapter I articulate and describe the research problem, whether green spirituality is found in popular media and if so, could it be used to develop an ecological ethic in theological reflection and praxis. This discussion includes the aims of the study and the description of the research methodology used in the study, as well as the delimitations of the study. In the second chapter I define some of the key terms: spirituality, green spirituality, ecological crisis, ecological ethic, and present a brief overview of the theoretical concepts, ecofeminism, and deep ecology, within whose context this study takes place. This chapter will include the literature survey that informs this study. In the third chapter I present the data, namely the green spirituality found in media such as the films Avatar, Emerald Forest, Dances with Wolves, The Day the Earth Stood Still, and the films of Hayao Miyazaki. The films are summarised and evaluated according to the green spirituality and ecological themes presented. Four signifiers are identified to be present in the films: visual, cognitive, spiritual and communal. In the fourth chapter I present my interpretation of the data, as informed by scholarly sources, and also describe the relevance of the data in the faith traditions and the positions taken by faith traditions with regards to the ecological crisis. I also present some practical suggestions for responses in theological praxis. In chapter five I present my conclusion.