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    • Browsing Masters Degrees (Drama) by Title
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    • Faculty of Arts and Social Sciences
    • Department of Drama
    • Masters Degrees (Drama)
    • Browsing Masters Degrees (Drama) by Title
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    Browsing Masters Degrees (Drama) by Title

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    Now showing items 26-45 of 71

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        Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process 

        Skordis, Ranza (Ranza Nora-J) (Stellenbosch : Stellenbosch University, 2003-12)
        ENGLISH ABSTRACT: In this thesis the author investigates aspects of the use of improvisation and improvisational methods, techniques and exercises by modem practitioners. The study commences with a look at the beginnings ...
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        Intellek en impuls : ’n studie van die akteur se intellektuele fakulteite 

        Steyn, Louisa (Stellenbosch : Stellenbosch University, 2017-12)
        ENGLISH ABSTRACT: Acting is not normal behaviour: during everyday life, man is relatively unaware of the functioning of his organism. The art of acting, however, requires the actor to reorganise his being to produce seemingly ...
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        Investigating a personalised site-specific approach to performance : selected origins, possible influences and practical implications 

        Bishop, Gabriella Simone (Stellenbosch : Stellenbosch University, 2014-04)
        ENGLISH ABSTRACT: Central to a site-specific approach to performance is the concern for the potential of unconventional spaces. Appearing in multiple mediums, there seems to be little clarity on the parameters of this ...
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        An investigation into the motives of filicidal mothers in selected plays 

        Holm, Nicole (Stellenbosch : Stellenbosch University, 2017-03)
        ENGLISH ABSTRACT: Maternal filicide is a rare crime perpetrated for a number of reasons. It is a complex multifactorial phenomenon with psychiatric, psychological and environmental factors combining to create fertile ground ...
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        "A just and lively image" - performance in Neo-classic theatre criticism and theory 

        Huismans, Anja (Stellenbosch : University of Stellenbosch, 2005-03)
        The claim that theatre theorists and critics have historically considered the dramatic text a more important part of theatre than the performance is a prominent theme of 20th century theatre theory. This claim was made in ...
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        Kabaret as moonlike teatervorm vir sangers met 'n klassieke sangorientasie 

        De Villiers, Jacobi (Stellenbosch : Stellenbosch University, 2008-03)
        ENGLISH ABSTRACT: This study was initiated to gain insight into cabaret as a form of theatre for the migration of singers with a classical singing orientation. It researches a form of music theatre known as entertainment ...
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        Kabaret as moontlike teatervorm vir sangers met 'n klassieke sangorientasie 

        De Villiers, Jacobi (Stellenbosch : Stellenbosch University, 2008-03)
        ENGLISH ABSTRACT: This study was initiated to gain insight into cabaret as a form of theatre for the migration of singers with a classical singing orientation. It researches a form of music theatre known as entertainment ...
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        Kabaret as sosiale en politieke kommentaar : 'n ontleding van die aanwending van die komiese, satire en parodie 

        Van Zyl, Annelie (Stellenbosch : Stellenbosch University, 2008-03)
        ENGLISH ABSTRACT: This study examines cabaret in South Africa, and more particularly the use of a personation in cabaret. Cabaret employs a variety of comedic forms that combine to comment on social and political issues. ...
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        Kabaret in Suid-Afrika : kabarett of cabaret? 

        Van der Merwe, Grethe Elizabeth (Stellenbosch : University of Stellenbosch, 2010-03)
        ENGLISH ABSTRACT: Various theoretists and artists have tried to describe, to define and categorise the form of art that we roughly refer to as ‘cabaret’ in an attempt to answer the question: “What exactly is ‘cabaret’”? ...
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        Klankproduksie : 'n ondersoek na die spraak- en sangstem 

        Rademan, Daniel Johannes (Stellenbosch : Stellenbosch University, 2005-03)
        ENGLISH ABSTRACT: Actors and singers mainly use their voices as theatrical communication instruments. The production of sound - for singing, speech and other derivatives - makes use of the same physiological mechanics. ...
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        Kontemporere woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars 

        Hattingh, Mareli (Stellenbosch : University of Stellenbosch, 2005-03)
        Oral Art (Woordkuns) as a performing art form is a burgeoning independent theatre genre that has developed especially over the last decade with the rise of the national arts festivals. By investigating the literary term ...
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        Media en die teater : 'n praktiese ondersoek na die gebruike van film, televisie en video in twee Suid-Afrikaanse produksies 

        Hauptfleisch, Gaerin (Stellenbosch : Stellenbosch University, 1999-12)
        ENGLISH ABSTRACT: The purpose of this essay is to research the frequent use of the electronic media in the theatre by contemporary theatre practitioners in South Africa. The term media indicates specifically television, ...
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        'n Ondersoek na die integrasie en wisselwerking van die betekenisdraende elemente in poppeteater 

        Lessing, Petronella (Stellenbosch : University of Stellenbosch, 2009-12)
        AFRIKAANSE OPSOMMING: In hierdie navorsing word gepoog om die betekenisdraende elemente van poppeteater, naamlik beweging, klank en ontwerp van naderby te ondersoek om vas te stel in watter mate al drie elemente onmisbaar ...
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        'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent 

        Lombard, C. J. (Stellenbosch : Stellenbosch University, 1974-12)
        ENGLISH ABSTRACT: No abstract available
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        'n Ondersoek na Kristin Linklater se benadering tot stemontwikkeling 

        Van der Merwe, Schalk Willem (Stellenbosch : University of Stellenbosch, 2008-03)
        In a study of Kristin Linklater’s approach to voice training the concept of the natural voice and the freeing of it stands central. The natural voice according to Linklater is that voice which is naturally produced by the ...
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        ’n Ondersoek na toegepaste teater as medium vir gemeenskapsontwikkeling in die Stellenbosch-omgewing 

        Esterhuysen, Jana Maria (Stellenbosch : Stellenbosch University, 2013-03)
        ENGLISH ABSTRACT: In this research paper an investigation into applied theatre as medium for community development in the Stellenbosch area is conducted. An initial investigation was launched to determine whether there ...
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        Die ontwikkeling en huidige aard van musiekblyspele in Suid-Afrika 

        Katzke, Marlie (Stellenbosch : Stellenbosch University, 2014-12)
        ENGLISH ABSTRACT: The musical is one of the many forms of musical theatre and consists of certain qualities that define the genre. This form developed out of various genres en there are many approaches and definitions for ...
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        Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensorientering 

        Stols, Amori (Stellenbosch : Stellenbosch University, 2013-03)
        ENGLISH ABSTRACT: Critical theory forms part of the foundation of the South African school curriculum. The development of critical thinking is part of the general aims of the curriculum. This study will investigate the ...
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        Order through improvisation : engaging the choreographic environment 

        Nel, Dayne Elizabeth (Stellenbosch : Stellenbosch University, 2012-12)
        ENGLISH ABSTRACT: In the field of choreography, there are many different emerging theories and methodologies. One such theory uses the individual and unique performers to create and generate movement vocabulary. For the ...
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        Playing sex : the exploration, creation and transmission of gender codes in puppetry through the exploration of Cleansed 

        Smalberger, Lize-Meri (Stellenbosch : University of Stellenbosch, 2011-03)
        AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die verkenning, skepping en oordrag van geslagskodes in toneelpoppe. Die studie ondersoek die gebruik van geslagskodes in die skepping van manlike en vroulike identiteite. ...

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