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Elemente van die groteske realisme en karnavaleske in Foxtrot van die vleiseters deur Eben Venter

dc.contributor.advisorViljoen, L.
dc.contributor.authorHeyns, Michielen_ZA
dc.contributor.otherUniversity of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Afrikaans and Dutch.
dc.date.accessioned2007-11-06T05:52:57Zen_ZA
dc.date.accessioned2010-06-01T08:34:59Z
dc.date.available2007-11-06T05:52:57Zen_ZA
dc.date.available2010-06-01T08:34:59Z
dc.date.issued2006-12en_ZA
dc.identifier.urihttp://hdl.handle.net/10019.1/1860
dc.descriptionThesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2006.
dc.description.abstractIn this thesis I explore the possibility of reading Foxtrot van die vleiseters by Eben Venter through the philosophy of the carnivalesque and grotesque realism, as put forward by the Russian language philosopher, Mikhail Bakhtin. An overview of the theory of grotesque realism is given in chapter 1. In chapter 2 some of the main aspects of the apartheidsregime are discussed, after which the most important principles of grotesque realism are applied to the novel. A chapter is devoted to each of the following broad categories: the distinction between a high, official order and a low, unofficial order and the consequences when the official order is lifted; the images of the grotesque body; and lastly, the culture of laughter and celebration. The salient points will be gathered together in the conclusion.en_ZA
dc.format.extent584588 bytesen_ZA
dc.format.mimetypeapplication/pdfen_ZA
dc.language.isoafen_ZA
dc.publisherStellenbosch : University of Stellenbosch
dc.subjectVenter, Eben -- Criticism and interpretationen
dc.subjectVenter, Eben -- Foxtrot van die vleisetersen
dc.subjectGrotesque in literatureen
dc.titleElemente van die groteske realisme en karnavaleske in Foxtrot van die vleiseters deur Eben Venteraf
dc.typeThesisen_ZA
dc.rights.holderUniversity of Stellenbosch


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