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Die nomadiese self : skisoanalitiese beskouinge oor karaktersubjektiwiteit in die prosawerk van Alexander Strachan en Breyten Breytenbach

dc.contributor.advisorViljoen, Louise
dc.contributor.advisorVan der Merwe, Willie
dc.contributor.authorAnker, Willem Petrus Pienaaren_ZA
dc.contributor.otherUniversity of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Afrikaans and Dutch.
dc.date.accessioned2008-02-11T07:51:53Zen_ZA
dc.date.accessioned2010-06-01T08:12:12Z
dc.date.available2008-02-11T07:51:53Zen_ZA
dc.date.available2010-06-01T08:12:12Z
dc.date.issued2007-12
dc.identifier.urihttp://hdl.handle.net/10019.1/1088
dc.descriptionThesis (DLitt (Afrikaans and Dutch))--University of Stellenbosch, 2007.
dc.description.abstractENGLISH ABSTRACT: This dissertation studies the depiction of character subjectivity in two text series of Alexander Strachan and Breyten Breytenbach. Strachan’s first three prose works are dealt with as a trilogy wherein one main character, Lenka, traverses three texts. Breytenbach’s five autobiographical prose works about visits to South Africa are also dealt with as a text series wherein one main character, Breytenbach, is depicted. In both instances the subjectivity, as portrayed by these authors, is read as a nomadic subjectivity, a term borrowed from the French thinkers Gilles Deleuze and Félix Guattari. The study assumes the form of a Deleuze-Guattarian reading of Strachan and Breytenbach’s work with a sustained focus on the depiction of the nomadic subject in the works of both authors. During the course of the study many philosophical concepts, developed in the work of Deleuze and Guattari, are explained and implemented as thinking and reading instruments whereby the prose texts are read in a new perspective. Although a Deleuze-Guattarian reading of prose texts is a relatively uncharted territory in circles of Afrikaans literary theory, this study purports to indicate that when a schizo-analytical view of subjectivity is used to analyse the functioning of character subjectivity within literary works, the texts gain new life in interesting ways. Using the concept of the nomadic subject empowers me to establish a useful reading strategy for the reading of a character who refuses to become wholly subjected to the text and the world within which he lives and who rather experiences an existence of perpetual becomings. Eventually it is suggested that the creation of a nomadic character is not only dependent upon a different grasp of subjectivity as indicated in the text, but that the writing of a particular, revolutionary form of literature, a minor literature, is implied. The nomadic subject’s being implies perpetual becomings, and a successful literary portrayal of this subject must depict such becomings at stylistic and formal levels. This study moves systematically from an analysis of nomadic subjects in literary texts to the more general question of how a minor literature functions so that the nomadic being of the character is also kept alive in the form and style of the text.en_ZA
dc.format.extent3845402 bytesen_ZA
dc.format.mimetypeapplication/pdfen_ZA
dc.language.isoafen_ZA
dc.publisherStellenbosch : University of Stellenbosch
dc.subjectDeleuzeen_ZA
dc.subjectBreytenbachen_ZA
dc.subjectGuattarien_ZA
dc.subjectStrachan, Alexander,1955- -- Criticism and interpretation
dc.subjectBreytenbach, Breyten -- Criticism and interpretation
dc.subjectAfrikaans literature -- History and criticism
dc.subjectSubjectivity in literature
dc.subjectDissertations -- Afrikaans and Dutch
dc.subjectTheses -- Afrikaans and Dutch
dc.titleDie nomadiese self : skisoanalitiese beskouinge oor karaktersubjektiwiteit in die prosawerk van Alexander Strachan en Breyten Breytenbachaf
dc.typeThesisen_ZA
dc.rights.holderUniversity of Stellenbosch


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