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Mastering paradigms: A South African perspective

dc.contributor.advisorRoux, Gerhard W.en_ZA
dc.contributor.authorDe Villiers, Dawid J.en_ZA
dc.contributor.otherStellenbosch University. Faculty of Arts and Social Sciences. Dept. of Music.en_ZA
dc.date.accessioned2018-01-18T12:20:32Z
dc.date.accessioned2018-04-09T06:53:37Z
dc.date.available2018-01-18T12:20:32Z
dc.date.available2018-04-09T06:53:37Z
dc.date.issued2018-03
dc.identifier.urihttp://hdl.handle.net/10019.1/103346
dc.descriptionThesis (MPhil)--Stellenbosch University, 2018.en_ZA
dc.description.abstractENGLISH ABSTRACT: Mastering is considered to be an important and necessary step in audio production. However the exact definition and role of mastering is uncertain. This study aimed at exploring the concept of mastering in search of a definition. It further aimed to determine if South African audio professionals understand what mastering is, what its subprocesses are and what it should achieve.en_ZA
dc.description.abstractAFRIKAANSE OPSOMMING: Meesterskepping word gesien as ’n belangrike en nodige stap in die klank produksie proses. Ten spyte hiervan is daar gereeld onsekerheid oor die definisie en rol van meesterskepping. Hierdie studie poog om ’n definisie van meesterskepping vas te stel. Verder ondersoek die studie of die Suid Afrikaanse klank industrie ’n goeie begrip het van wat meesterskepping is, die prosesse betrokke daarby en uiteindelik wat dit beoog om bereik.af_ZA
dc.format.extent155 pages : illustrations, statistics, color
dc.language.isoen_ZAen_ZA
dc.publisherStellenbosch : Stellenbosch Universtiyen_ZA
dc.subjectUCTDen_ZA
dc.subject.lcshSound -- Recording and reproducing -- Digital techniques.
dc.titleMastering paradigms: A South African perspectiveen_ZA
dc.typeThesisen_ZA
dc.rights.holderStellenbosch Universityen_ZA


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