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Seeing, sighing, signing – contours of a vulnerable homiletic

dc.contributor.authorCilliers, Johanen_ZA
dc.date.accessioned2017-05-10T09:08:10Z
dc.date.available2017-05-10T09:08:10Z
dc.date.issued2017
dc.identifier.citationCilliers, J. 2017. Seeing, sighing, signing – contours of a vulnerable homiletic. Scriptura, 116(1):1-13, doi:10.7833/116-1-1281
dc.identifier.issn2305-445X (online)
dc.identifier.issn0254-1807 (print)
dc.identifier.otherdoi:10.7833/116-1-1281
dc.identifier.urihttp://hdl.handle.net/10019.1/101523
dc.descriptionCITATION: Cilliers, J. 2017. Seeing, sighing, signing – contours of a vulnerable homiletic. Scriptura, 116(1):1-13, doi:10.7833/116-1-1281.
dc.descriptionThe original publication is available at http://scriptura.journals.ac.za
dc.description.abstractIn this article the many in-between spaces of paradox that characterise the society of South Africa, up to this day, are seen as liminal breeding grounds for what could be called a vulnerable homiletic. Three key concepts are discussed as being inherent to such a homiletic, namely seeing, sighing, and signing. These key concepts are exemplified by reference to sermons by former Archbishop of Cape Town, Dr Desmond Tutu in particular. The article concludes with a reflection on an art work by South African artist Marco Cianfanelli.en_ZA
dc.description.urihttp://scriptura.journals.ac.za/pub/article/view/1281
dc.format.extent13 pages
dc.language.isoen_ZAen_ZA
dc.publisherStellenbosch University, Faculty of Theology
dc.subjectObservationen_ZA
dc.titleSeeing, sighing, signing – contours of a vulnerable homileticen_ZA
dc.typeArticleen_ZA
dc.description.versionPublisher's version
dc.rights.holderAuthor retains copyright


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